The Phantom of the Opera
Gaston Leroux (1868-1927). Korean title: 오페라의 유령.
First line: “The Opera ghost really existed.”
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Contents
- Prologue
- I: Is It the Ghost?
- II: The New Margarita
- III: The Mysterious Reason
- IV: Box Five
- V: The Enchanted Violin
- VI: A Visit to Box Five
- VII: Faust and What Followed
- VIII: The Mysterious Brougham
- IX: At the Masked Ball
- X: Forget the Name of the Man’s Voice
- XI: Above the Trap-Doors
- XII: Apollo’s Lyre
- XIII: A Masterstroke of the Trap-Door Lover
- XIV: The Singular Attitude of a Safety-Pin
- XV: Christine! Christine!
- XVI: Mme. Giry’s Astounding Revelations as to Her Personal Relations with the Opera Ghost
- XVII: The Safety-Pin Again
- XVIII: The Commissary, the Viscount and the Persian
- XIX: The Viscount and the Persian
- XX: In the Cellars of the Opera
- XXI: Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera
- XXII: In the Torture Chamber
- XXIII: The Tortures Begin
- XXIV: “Barrels! … Barrels! … Any Barrels to Sell?”
- XXV: The Scorpion or the Grasshopper: Which?
- XXVI: The End of the Ghost’s Love Story
- Epilogue
- Endnotes